The beginning and the continuity of Madline
Madline is a series of unrestrained drawings that explores processes of movement and an alternative means of documentation. The project medium is a simple assembly of a pen and a string as a drawing device to create dots and lines on paper.
In 2013, the residency programme I took part in Lostgens’ Contemporary Art Space, Kuala Lumpur, Malaysia inspired me to record my daily driving journeys. Then I further working on this project during my study in Taiwan.
The Madline series that evolved in Taiwan has expanded into a broader social intervention especially on a community basis, for example, I initiated workshops that encouraged community interaction and integration. This social transition gradually developed a form of ‘continuous movement’ by itself. Up to the time of writing, Madline is now not only personal ‘moving experiences’, it is also progressing towards an establishment of a society data collection.
The first draft was made in June 2013 during a residency at the Lostgens’ contemporary art space in Kuala Lumpur, Malaysia.
馳線，取自於廣東話諧音「黐線」，意為神經兮兮，而馳線指的是不羈奔馳的線條。馳線裝置，是將筆綑著線懸吊隨著遊走時造成的晃動在紙上留下痕跡成為繪圖原理。
在2013年，失落世代當代藝術空間的駐村計畫激發了我想要紀錄日常生活的駕駛之旅。馳線系列也在台灣的發展逐漸開展了不同面向的計畫，如：在社區工作坊以及與社區結合互動。
過渡逐漸形成一種連續的運動。因此，馳線不僅僅是一種個人移動體驗，它也是一個關於社區的數據。
